Materials and finishes · Altea

The right furniture material starts with the right questions

For projects in Altea, samples are assessed beside the light and finishes that will remain in the room. The final specification is then recorded with the quotation.

The choice is part of the project

The best material is the one that suits the way the furniture will be used

We do not recommend finishing in isolation. The same look may require a different base, edge or hardware depending on the room and frequency of use.

01

Wear and tear

Humidity, heat, shocks, cleaning, load and opening frequency

02

Design and light

Colour, texture, grain, sheen and relationship with floors and walls

03

Maintenance

Ease of cleaning, repair and performance over time

04

Planned investment

We prioritise what adds value to use and avoid unnecessary extra costs

Direct consultation · Recommendation by project · No obligation

Tell us what furniture you need

A manager will review the use, the space and your references to guide you on the appropriate materials

Material families

Options with which we can manufacture

This guide explains the common possibilities. Availability, brand, collection, tone and final specification are confirmed with your project manager

01

Technical melamines

A versatile solution for interiors of wardrobes, kitchens, living rooms and furniture for daily use. They offer a wide variety of colours, woods and textures with easy maintenance

The manager confirms adequate quality, thickness, edge and resistance
02

Lacquered MDF

Allows smooth surfaces, custom colours and machined fronts. It is common when looking for a continuous, matte or satin composition, with greater design freedom.

The type of lacquer and the preparation are defined according to the piece and its use.
03

natural timber veneer

It provides grain and natural warmth with greater dimensional stability than a solid piece. It is suitable for living rooms, bedrooms, offices and projects with a more architectural presence.

We select species, cut, tone and varnish together
04

solid timber

It is used in fronts, structures, mouldings, countertops or details where its resistance and character add value. Its natural performance must be considered from the design

The project manager explains where it makes technical and economic sense
05

HPL and laminates

High resistance surfaces for areas exposed to friction, humidity or frequent cleaning. Available in colours, mineral designs, woods and technical finishes

The specification depends on the room and the support used
06

plywood

Stable structural board with characteristic edge, useful in certain technical solutions, visible interiors and furniture with contemporary appearance

Class, thickness and finish are assessed for each application
07

Glass, mirror and metal

They complement display cases, doors, shelves, dividers and decorative details. They can provide lightness, reflection, transparency or contrast within the same piece of furniture.

Safety, weight, fixing and maintenance are reviewed before defining them
08

Hardware and accessories

Hinges, guides, lifts, sliding systems, lighting and interior organisation determine the operation as well as the exterior finish.

The manager sizes them according to load, opening and frequency of use
Materials advice

How do we arrive at a suitable proposal?

You don't need to know brands or specifications. With photographs, a reference and an idea of use we can begin a practical material review

  1. 01
    We understand the project

    We review the stay, approximate measurements, use, visual references and priorities

  2. 02
    We discard what is not appropriate

    We filter options by humidity, resistance, cleaning needs, weight, light and budget

  3. 03
    We present coherent alternatives

    We explain relevant differences and propose comparable combinations

  4. 04
    We validate before manufacturing

    Finishes, edges, hardware and details are defined in the final proposal

Common questions

What you should know before choosing

The exact answer depends on the type of furniture and the conditions of the home.

Can I submit a Pinterest reference or photo?

Yes. It helps us understand the appearance you have in mind. The manager will translate this reference into materials, thicknesses, finishes and systems that can be manufactured and installed in your space.

Is there a recommended material for the entire home?

Not necessarily. Kitchen, bathroom, bedroom and living room have different demands. We can maintain a coordinated aesthetic using different specifications where necessary

Can I see colours and samples before deciding?

Representative samples are compared once the project has a clear technical and visual direction. This is how we compare truly compatible alternatives and not complete catalogues without context

Does the material change the budget a lot?

It has an influence, but so do the measurements, the number of modules, the fittings, the machining and the fitting. The manager will tell you where it is worth investing and where there is a more efficient alternative

A project grounded in the property

From room photographs to decisions the workshop can use

The useful part of an initial enquiry is not how polished it looks. It is whether it gives us enough truth about the room to ask the next, more focused question.

01

Describe the problem before the product

You do not need trade vocabulary. Tell us what gets left out, what feels awkward and what you reach for every day. Add room photographs, retained finishes and a realistic account of day-to-day use, and the conversation has a solid place to begin.

A short list of must-haves and nice-to-haves keeps the early conversation honest. It also gives the quotation somewhere sensible to flex.

02

Geometry becomes useful when the brief is clear

Approximate measurements help us judge scale. Production dimensions are different: they are taken at the points that control doors, fillers, worktops, services and the route into the room.

The survey is not a theatre of laser lines. Its value is the record that links a real wall to a specific drawing decision.

03

The visible finish is only one layer

The project manager filters the options before presenting them. You see credible alternatives with an explanation of what changes in feel, upkeep and price—not a catalogue without context.

We may recommend spending more on runners or hinges and less on a fashionable outer surface. The choice depends on which part carries the daily work.

04

Access is part of the design

For an address in Altea, we confirm how protected parts will move from the vehicle to their final position. This can change carcass divisions while leaving the visible composition calm.

When installation overlaps with renovation work, the sequence matters. Floors, paint, electrical work and furniture each need a clear point at which the next trade can proceed.

05

Price becomes useful when the assumptions are visible

A price range is most helpful when it points to a realistic construction level. The final quotation then records the approved materials, hardware, delivery and fitting rather than relying on verbal assumptions.

The most expensive version is not automatically the most convincing. Proportion, alignment and a calm distribution often do more for the room than another decorative feature.

06

A useful enquiry earns a useful reply

After reviewing the information, we tell you what is viable, what is still uncertain and whether a measured visit is the right next step. There is no need to stage the room before sending photographs.

Before production, the confirmed information is brought together. Scattered messages are useful during discussion, but the workshop works from one current set of decisions.

Direct consultation · Recommendation by project · No obligation

Tell us what furniture you need

A manager will review the use, the space and your references to guide you on the appropriate materials